Purchased at Dave Kuzy's yard sale
I'm back to thinking about the purpose of this blog. I guess it's partly autobiographical, so there's a certain "me me me" content that I push against in general. Maybe it's legacy, leaving behind more documentation of my life and thoughts. There's also the discipline of sitting and writing.
I think I'm touching more on the autobiographical today.
Enough of obscurities like Thorkell Sigurbjörnsson and Henk Badings for now, onto music nearly everyone knows at least a little.
Last week I saw Stevie Wonder at the PPG Paints Arena. My daughter Jeannine bought three tickets as a big "thank you" gift. We were up in the nosebleed seats, very stage left. Not close but it gave us a good birds-eye view of the stage.
The band: in addition to Stevie, there were two keyboardists, two guitarists, bass (who played synth bass on "Living for the City"), drums, congas, percussion, six background vocalists (five women, one man), and a five piece horn section (alt, tenor, bari, trumpet, trombone). My wife pointed out that we saw a band last year that had more people on stage, Parliament Funkadelic when everyone was on stage at the end. That is, until Stevie added a twelve piece string section and a conductor. Cred for keeping a lot of musicians employed.
The tour theme (eleven cities at last count) was "Sing Your Song! As We Fix Our Nation's Broken Heart." He opened, solo, playing "Can We Fix Our Nation's Broken Heart?" It was....okay. I thought going in, this is a man who could do a long concert of excellent non-hit album cuts and have it be great.
Jeannine said there was a Simpsons segment (we frequently quote the Simpsons in this family) in which Homer goes to see Bachman Turner Overdrive at the county fair. They announce they're going to play something from their new album, and Homer yells, "TCB! No new crap!"*
Yeah.
The concert was good, Stevie was in largely good voice. He struggled a little near the end on "Isn't She Lovely", fluffed a few lyrics here and there. I can easily forgive that, given his age, and how much music he'd have to play in a night. Strangely, he came on forty minutes late, played for forty minutes, and took a half hour break. Strange for an arena show, which are usually tightly constructed. It was announced he was feeling a bit sick and needed an emergency bathroom trip. It was still over two hours of music, mostly hits.
He brought on a guest singer, Sheléa, who sang a song that Stevie wrote for Aretha Franklin. I have to say, it was almost as if I was hearing Aretha sing it. Very strong. But then they played a song from her forthcoming album, and it just seemed to go on and on and on and...
TCB! No new crap!
While I was looking forward to "I Wish", it was "Higher Ground" and "As" (from Songs in the Key of Life) that were really the highlights to my ears. I found it moving, seeing and hearing the guy who created those pieces doing them in person, even in an arena setting. For as good as the concert generally was, I'm also simply happy we got to see him play at least once. It's the reason I paid $$$ to see Herbie Hancock last year.
After the concert, Jeannine reminded me that I had once checked out a Stevie Wonder collection CD from the library. She was asking about it, and I handed it over and told her, "You should listen to this. Return it to the library whenever."
You know, I've been a pretty good Dad sometimes, if I may say so. She remember "As" from that collection was also really happy he played it.
This particular album was Stevie's first Album of the Year from the Grammys, and in the era of incredible creativity for him: Music of my Mind, Talking Book, Innervisions, Fulfillingness' First Finale, and Songs in the Key of Life. All were hit albums, most had hit singles, and were consistently creative. Quite a hell of a run, I'd say equal to any other artist in popular music. And for the first four, Stevie plays the great majority of the instruments in addition to composing and singing.
One thought I had during the concert was, "Stevie sure likes his chord progressions." His songs often have dramatic chord changes and chromatic shifts. Still, "Higher Ground" is relatively simple harmonically and packs the biggest punch on this program in my opinion. While there's the clear influence of gospel on his songs, I guess I just like it best when he gets funky.
Prince did something similar to Stevie, sometimes playing most of the instruments on an album. It's very impressive (and he was a great lead guitarist) but Stevie wins out in my opinion.
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